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Standard pattern in duple-pulse (4/4) and triple-pulse (12/8) form. The strokes of the standard pattern coincide with: 1, 1a, 2& 2a, 3&, 4, 4a. 12/8: 1 & a 2 & a 3 & a 4 & a X.
X 4/4: 1 e & a 2 e & a 3 e & a 4 e & a X Compaq Armada 7800 Usb Drivers. .. X A great deal of Yoruba drum music is based in. The following example shows the five-stroke form of the standard pattern (known as in Afro-Latin music) on the kagano dundun drum (top line).
The dunduns on the second and third lines sound an embellishment of the three-over-four (3:4) cross-rhythm—expressed as three pairs of strokes against four pairs of strokes.
– The Rise Of Fuji Music – Popular Music Among The Yorubas Fuji music like music was used to wake the Muslims for their morning food known as ‘Sahur’ during Ramadan. It can be deduced that Fuji music is a division from ‘Ajisari/Were’ performed by Alhaji Dauda Epo Akara but was not Fuji during that period. Alhaji Sikiru Ayinde used to perform with the groups during this period but under Jibowu Barrister. Talking about the history of Fuji music in Nigeria, it won’t be complete without mentioning the tremendous contributions of Ayinde Barrister. The late singer was the creator of the music, he was the one who borrowed the word Fuji. Fuji is the name of the highest mountain in Japan. According to him, the music is a combination of Afro,, Gudugudu, and Juju.
He did not only start the music he also popularized the genre especially in Britain and the United States of America which gave the upcoming singer in the industry a good and strong platform for their career. K1 Ultimate was under him for 15 years. In the early 70s, Ayinde Barrister was only trending musician during that period. In the late 70s and early 80s, Fuji like Love Azizi, Fatai Adio, Rasheed Ayinde, Wasiu Ayinla, and so on came to the industry with their own creativity to the music. Alhaji Ayinla Kolynton also contributed to the growth of the music. K1 De Ultimate came up with ‘Talazo Fuji’ was a hit during the period because he was able to put the necessary lyrics, beats, and dance to suit the society.
Copyright www.naijapr.com Adewale Ayuba was also able to come up with something different in the industry which he termed ‘Bonsue Fuji’ and it was accepted by both adult and youth. Abass Akande Obesere also contributed to the growth of the industry. The industry is still able to maintain her ground with strong stand due to the intervention of Hip-Hop music. The likes of Saheed Osupa, Pasuma, Remi Aluko, Muri Thunder, Sule Adio, Wasiu Ajani, Taye Currency, Segun Michael, Adeolu Akanni, Olusegun Ologo, Tunde Ileiru, Murphy Adisa, Sunny Melody and so on. Copyright www.naijapr.com Although, the industry is male dominated only a few females have an interest in the genre of music. The most popular of the female fuji singers Osanle Iyabo died in 2009. Even though, the is in Yoruba it is still listened to among elites.
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